Kosakovsky’s 10 rules
During Int’l Documentary Festival Amsterdam (IDFA) an academy for emerging doc directors and students is held. Here’s some advice from Master Class Instructor Victor Kosakovsky for beginning doc filmmakers:
- Don’t film if you can live without filming.
- Don’t film if you want to say something – just say it or write it. Film only if you want to show something, or you want people to see something. This concerns both the film as a whole and every single shot within the film.
- Don’t film, if you already knew your message before filming – just become a teacher. Don’t try to save the world. Don’t try to change the world. Better if your film will change you. Discover both the world and yourself whilst filming.
- Don’t film something you just hate. Don’t film something you just love. Film when you aren’t sure if you hate it or love it. Doubts are crucial for making art. Film when you hate and love at the same time.
- You need your brain both before and after filming, but don’t use your brain during filming. Just film using your instinct and intuition.
- Try to not force people to repeat an action or words. Life is unrepeatable and unpredictable. Wait, look, feel and be ready to film using your own way of filming. Remember that the very best films are unrepeatable. Remember that the very best films were based on unrepeatable shots. Remember that the very best shots capture unrepeatable moments of life with an unrepeatable way of filming.
- Shots are the basis of cinema. Remember that cinema was invented as one single shot – documentary, by the way – without any story. Or story was just inside that shot. Shots must first and foremost provide the viewers with new impressions that they never had before.
- Story is important for documentary, but perception is even more important. Think, first, what the viewers will feel while seeing your shots. Then, form a dramatic structure of your film using the changes to their feelings.
- Documentary is the only art, where every esthetical element almost always has ethical aspects and every ethical aspect can be used esthetically. Try to remain human, especially whilst editing your films. Maybe, nice people should not make documentaries.
- Don’t follow my rules. Find your own rules. There is always something that only you can film and nobody else.
In addition to being a film director, Victor Kosakovsky (1961, St. Petersburg) is also a cameraman, producer and editor. Kossakovsky’s Works are conceptual and personal, but also playful and surprisingly easy to watch. In his films, there’s no difference between good and bad, only pure amazement at the world around us. Svyato (2005), Tishe! (2002), I Loved You (2000), Pavel i Lyalya (1998), Wednesday (1997) and Belovy (1993) are all anchored by brilliant ideas that Kosakovsky develops into intimate, completely uncompromising cinema.